Mark McCullough maintains a successful career as lighting designer for opera and theater companies in the United States and Europe. He has lit productions for such opera companies as LA Opera (Porgy and Bess); the Metropolitan Opera (Le Nozze di Figaro); New York City Opera (Il Viaggio a Reims); Washington National Opera (Die Walküre, Das Rheingold and Porgy and Bess); Strasbourg's Opéra National du Rhin (The Beggar's Opera); Royal Opera Covent Garden (The Queen of Spades); Opera North (Eugene Onegin); Boston Lyric Opera (Aida, Madama Butterfly, Tosca); Florida Grand Opera; Virginia Opera; Richard B. Fisher Center for the Performing Arts at Bard College (Shostakovich's The Nose); Glimmerglass Opera (John Philip Sousa's rarity The Glassblowers and Mother of Us All); San Francisco Opera (Rigoletto, Arshak II, Mother of Us All); Seattle Opera; Dallas Opera (the world premiere of Tobias Picker's Thérèse Raquin); Teatro Real, Madrid, Spain (Luisa Miller); San Diego Opera and numerous productions at Opera Theatre of St. Louis. Among his theater credits are the revival of Jesus Christ Superstar (Broadway and U.K. tour); Whistle Down the Wind (Aldwych Theatre, London); Webster's The White Devil and Schiller's Don Carlos (Royal Shakespeare Company); as well as Off-Broadway productions including Wendy Wasserstein's Old Money at Lincoln Center Theatre; How I Learned to Drive and The Long Christmas Ride Home. Mr. McCullough's work in regional theater has been seen at the La Jolla Playhouse; Mark Taper Forum; Hartford Stage; Steppenwolf and Center Stage, among others. The American designer is an alumnus of the North Carolina School of the Arts and holds a Master of Fine Arts degree from the Yale School of Drama.